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New Century Chamber Orchestra

Series Ticket
New Century Chamber Orchestra
Ticket Information

Regular Price: $30 - $70
35 and Under: $15

Reserved Seating

New Century Chamber Orchestra

We're excited to present New Century Chamber Orchestra's 2023-2024 Season, "Music On All Levels," exploring the different ways music reaches us, whether it be emotionally, spiritually, or structurally. Our season features a diverse lineup of concerts and performers, all designed to transport you to a world of musical appreciation, no matter how you choose to appreciate it! So join us on this journey as we delve deeper into the many layers of music and discover new ways to experience its beauty and power.

For more information, visit

Friday, March 8, 2024: 7:30pm

Saturday, March 9, 2024: 3:00pm 
Presidio Theatre, San Francisco

Daniel Hope
Music Director and concertmaster
Sterling Elliott

Embrace the elegant structure and exquisite restraint of Austrian composer Joseph Haydn, one of music’s most prominent “architects” during the Classical period. American cellist Sterling Elliott joins Daniel Hope and New Century for Haydn’s beloved first cello concerto, a virtuoso showpiece for the instrument. In the second half of the program, Igor Stravinsky’s playful ballet suite from Pulcinella offers a contrasting 20th century response to Haydn, using the amorous hijinks of the famous Italian clown to tinker unpredictably (and to the delight of modern audiences) with the shapes and patterns of centuries-old Classical melodies.


Thursday, May 2, 2024: 7:30pm

First Congregational Church, Berkeley

Saturday, May 4, 2024: 3:00pm
Presidio Theatre, San Francisco

Daniel Hope
Music Director and Concertmaster
Awadagin Pratt

Pianist Awadagin Pratt joins Daniel Hope and New Century for this program of potent 20th century American works for strings that speak to our collective emotions. Coping with the senselessness of war is the heartbeat of the program’s first half, with composer Coleridge-Taylor Perkinson confronting his concerns about the Korean War through his work Grass. In contrast, composer David Diamond wrote his exuberant work Rounds to dispel the gloomy wartime mood of the 1940s in vivid fashion. The program closes with Leonard Bernstein’s Serenade (after Plato’s Symposium), an epic work for solo violin, strings and percussion inspired by the ancient Greek debate over love in its many forms.                    
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